Film School Secrets begs the question of film schools: how stupid do you have to be to pay $30,000 a year to use equipment you could buy for $3,000 or rent for $100 a day? How deluded do you have to be to imagine that a certificate of completion or degree from one of these film schools makes a lick of difference in the film world?
Imagine Ari Gold bowing down and listening to a grad from one of these film schools. Ain’t happening, baby.
Now before you accuse us of naysaying and being negative, hear this: we know, because we were dumb enough to do this ourselves. We are film school alumni. We loved our film schools in the same way you love that guy that mugged you for teaching you a valuable lesson about self defense. We walked the walk so we talk the talk, to anyone who will listen. Which is sadly not too many people.
We hate to say this, but it’s true: most aspiring filmmakers are too pretentious to listen to our logical advice. Which is this: to get ahead in the film business, you need to understand how it works as a business. In 2012 it’s never been easier or more possible to have a career making movies. And never in history have so many people been spending a small fortune to learn the same stuff you could learn yourself in a couple of days.
Check out film school alumni success stories: pretty slim pickins. All of NYU and USC’s big names are from back in the 60s, 70s, and 80s. You haven’t heard of anyone who went to the Art Institutes, Full Sail, or NYFA making it big. Even so, for every one student who gets a good job or makes a headline, there are thousands more...
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